Lope’s El Hamete de Toledo: the infidel’s body as conquered land

Set in the aftermath of the 1609 expulsion of the Moriscos decreed by King Philip III of Spain (r. 1598-1621), the play El Hamete de Toledo, by Lope de Vega, has found a new relevance on stage and in political debates linked to the current immigration crisis. This article aims to rethink the current...

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Detalhes bibliográficos
Outros títulos:Special Issue: The Qur'an and affect
Autor principal: García Soormally, Mina 1972- (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
Verificar disponibilidade: HBZ Gateway
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: [2019]
Em: Body and religion
Ano: 2019, Volume: 3, Número: 2, Páginas: 149-165
(Cadeias de) Palavra- chave padrão:B Vega, Lope de 1562-1635, El hamete de Toledo / Spanien / Muçulmano / Expulsão da população / Imigrante / Viktimisierung
Classificações IxTheo:CC Cristianismo ; Religião não cristã ; Relações inter-religiosas
CE Arte cristã
CG Cristianismo e política
KBH Península ibérica
Outras palavras-chave:B Lope de Vega
B Literature
B Immigration
B Body
B Early Modern
B Spanish Literature
Acesso em linha: Volltext (Publisher)
Volltext (doi)
Descrição
Resumo:Set in the aftermath of the 1609 expulsion of the Moriscos decreed by King Philip III of Spain (r. 1598-1621), the play El Hamete de Toledo, by Lope de Vega, has found a new relevance on stage and in political debates linked to the current immigration crisis. This article aims to rethink the current victimization of Muslims, as presented in the production of AlmaViva Teatro, a Spanish theater company which used the Early Modern Spanish tragedy to connect to a contemporary audience, thirsty for social justice. To this end, I will focus on the treatment of Hamete, a Moor imprisoned in Spain, and whose body becomes the symbol of the Other, to be conquered. As such, in the course of the play, his body is vilified, dehumanized, chained, and tortured. The culmination of this process coincides with the final act of surrender, the moment of his conversion, but also of the physical dismemberment of his body, a brutal ritualistic sacrifice carried out in the name of eternal salvation.
ISSN:2057-5831
Obras secundárias:Enthalten in: Body and religion
Persistent identifiers:DOI: 10.1558/bar.17707