Reading trauma narratives: insidious trauma in the story of Rachel, Leah, Bilhah and Zilpah (Genesis 29-30) and Margaret Atwood’s The Handmaid’s Tale

This article investigates the notion of insidious trauma as a helpful means of interpreting the story of Rachel, Leah, Bilhah and Zilpah as told in Genesis 29-30 that has found its way into the haunting trauma narrative of Margaret Atwood’s The Handmaid’s Tale. In the first instance, this article ou...

Full description

Saved in:  
Bibliographic Details
Main Author: Claassens, L. Juliana M. 1972- (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: SA ePublications [2020]
In: Old Testament essays
Year: 2020, Volume: 33, Issue: 1, Pages: 10-31
Standardized Subjects / Keyword chains:B Lea, Biblical person / Silpa, Biblical person / Bilha, Biblical person / Rahel, Biblical person / Trauma / Maid
IxTheo Classification:HB Old Testament
HD Early Judaism
Further subjects:B Bilhah
B Reproductive Loss
B Leah
B Zilpah
B Rachel, Biblische Person
B Insiduous Trauma
B Rachel
B The Handmaid’s Tale
B Trauma Narratives
Online Access: Volltext (kostenfrei)
Volltext (kostenfrei)
Volltext (kostenfrei)
Description
Summary:This article investigates the notion of insidious trauma as a helpful means of interpreting the story of Rachel, Leah, Bilhah and Zilpah as told in Genesis 29-30 that has found its way into the haunting trauma narrative of Margaret Atwood’s The Handmaid’s Tale. In the first instance, this article outlines the category of insidious trauma as it is situated in terms of the broader field of trauma hermeneutics, as well as the way in which it relates to the related disciplines of feminist and womanist biblical interpretation. This article will then continue to show how insidious trauma features in two very different, though intrinsically connected trauma narratives, i.e., the world imagined by Atwood in The Handmaid’s Tale, and the biblical narrative regarding the four women through whose reproductive efforts the house of Israel had been built that served as the inspiration for Atwood’s novel. This article argues that these trauma narratives, on the one hand, reflect the ongoing effects of systemic violation in terms of gender, race and class, but also how, embedded in these narratives there are signs of resistance that serve as the basis of survival of the self and also of others.
ISSN:2312-3621
Contains:Enthalten in: Old Testament essays
Persistent identifiers:DOI: 10.17159/2312-3621/2020/v33n1a3