"Alles ist Gnade": theologische Spuren im Menschenbild Theodor Fontanes

The people in Theodor Fontane’s work are suffering, erring, sinful, constrained by conventions, and troubled by fate – in other words: his human beings are authentic human beings. And yet Fontane describes his characters from an at least sympathetic, sometimes even hopeful perspective. Christianly e...

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Главный автор: Meyer-Blanck, Michael 1954- (Автор)
Формат: Print Статья
Язык:Немецкий
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Опубликовано: Evangelische Verlagsanstalt 2020
В: Theologische Literaturzeitung
Год: 2020, Том: 145, Выпуск: 9, Страницы: 765-772
Нормированные ключевые слова (последовательности):B Fontane, Theodor 1819-1898 / Изображение человека / Учение об оправдании / Евангелическая церковь (мотив)
Индексация IxTheo:CD Христианство и культура
KAH Новое время
KDD Евангелическая церковь
NBE Антропология
NBM Учение об оправдании
Описание
Итог:The people in Theodor Fontane’s work are suffering, erring, sinful, constrained by conventions, and troubled by fate – in other words: his human beings are authentic human beings. And yet Fontane describes his characters from an at least sympathetic, sometimes even hopeful perspective. Christianly expressed one can formulate that the predominant thought of Christianity, the doctrine of justification, constitutes the background of Fontane’s characters. This article examines on the basis of the novels »Frau Jenny Treibel«, »Effi Briest«, and »Der Stechlin« Fontane’s ideal, with whom he contrasted the Prussian church in his day and according to which the mankind is loved out of divine grace despite all of its numerous and incorrigible flaws and the people themselves are ought to encounter their fellow human beings, bearing in mind their own humanity, kindheartedly and compassionately.
ISSN:0040-5671
Второстепенные работы:Enthalten in: Theologische Literaturzeitung