"Alles ist Gnade": theologische Spuren im Menschenbild Theodor Fontanes

The people in Theodor Fontane’s work are suffering, erring, sinful, constrained by conventions, and troubled by fate – in other words: his human beings are authentic human beings. And yet Fontane describes his characters from an at least sympathetic, sometimes even hopeful perspective. Christianly e...

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Autore principale: Meyer-Blanck, Michael 1954- (Autore)
Tipo di documento: Stampa Articolo
Lingua:Tedesco
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Pubblicazione: Evangelische Verlagsanstalt 2020
In: Theologische Literaturzeitung
Anno: 2020, Volume: 145, Fascicolo: 9, Pagine: 765-772
(sequenze di) soggetti normati:B Fontane, Theodor 1819-1898 / Immagine dell'essere umano / Dottrina della giustificazione / Chiesa evangelica
Notazioni IxTheo:CD Cristianesimo; cultura
KAH Età moderna
KDD Chiesa evangelica
NBE Antropologia
NBM Dottrina della giustificazione
Descrizione
Riepilogo:The people in Theodor Fontane’s work are suffering, erring, sinful, constrained by conventions, and troubled by fate – in other words: his human beings are authentic human beings. And yet Fontane describes his characters from an at least sympathetic, sometimes even hopeful perspective. Christianly expressed one can formulate that the predominant thought of Christianity, the doctrine of justification, constitutes the background of Fontane’s characters. This article examines on the basis of the novels »Frau Jenny Treibel«, »Effi Briest«, and »Der Stechlin« Fontane’s ideal, with whom he contrasted the Prussian church in his day and according to which the mankind is loved out of divine grace despite all of its numerous and incorrigible flaws and the people themselves are ought to encounter their fellow human beings, bearing in mind their own humanity, kindheartedly and compassionately.
ISSN:0040-5671
Comprende:Enthalten in: Theologische Literaturzeitung