A Parasociology: Jean Genet in the Age of Celebrity Worship

In 1956, American researchers Horton and Wohl coined the term “para-social interaction,” defined as the bond of intimacy that a consumer of media feels towards the “image” of the performer. Later developed into the notion of “celebrity worship” by researchers, “parasociality” has a relationship to t...

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Autor principal: Lucas, Kevin (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Publicado: Brill [2020]
En: Religion and the arts
Año: 2020, Volumen: 24, Número: 3, Páginas: 290-317
(Cadenas de) Palabra clave estándar:B Genet, Jean-Pierre 1928- / Parasoziale Interaktion / Durkheim, Émile 1858-1917 / Sociología de la religión
Clasificaciones IxTheo:AD Sociología de la religión
ZB Sociología
Otras palabras clave:B para-social interaction
B Jean Genet
B sociology of religion
B celebrity culture
B the sacred
Acceso en línea: Volltext (Verlag)
Volltext (doi)
Descripción
Sumario:In 1956, American researchers Horton and Wohl coined the term “para-social interaction,” defined as the bond of intimacy that a consumer of media feels towards the “image” of the performer. Later developed into the notion of “celebrity worship” by researchers, “parasociality” has a relationship to the worshipful dynamics of totemism—in which the image of the animal exceeds the actual being in sacredness—as described by French sociologist Émile Durkheim. Discussing French author Jean Genet’s exploration of the unlikely forms of totemic worship common in the age of mass media, this article posits that Genet’s “parasociology of religion” demonstrates the way in which Durkheimian sociology of religion can offer insight into ostensibly secular contemporary practices, including those of fan communities.
ISSN:1568-5292
Obras secundarias:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02403003