A Hermeneutical Exploration of the Revelatory Text of John 4:1–42, in a Performative Key
This article makes a case for the use of music in biblical interpretation and theological method. It places the hermeneutical approach to Scripture developed by Sandra Schneiders from the work of Gadamer and Ricoeur into dialogue with theopoetical approaches to theological thought. Musicologist Jean...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage Publ.
[2020]
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| In: |
Theological studies
Year: 2020, Volume: 81, Issue: 2, Pages: 278-302 |
| IxTheo Classification: | HC New Testament |
| Further subjects: | B
Bible. Johannesevangelium 4,1-42
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| Online Access: |
Volltext (Verlag) Volltext (doi) |
| Summary: | This article makes a case for the use of music in biblical interpretation and theological method. It places the hermeneutical approach to Scripture developed by Sandra Schneiders from the work of Gadamer and Ricoeur into dialogue with theopoetical approaches to theological thought. Musicologist Jean-Jacques Nattiez’s method for analyzing musical meaning frames the analysis of an original piece of music, offered as a second naiveté, transformative interpretation of the Johannine narrative of the Samaritan woman in John 4:1-42. |
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| ISSN: | 2169-1304 |
| Contains: | Enthalten in: Theological studies
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| Persistent identifiers: | DOI: 10.1177/0040563920935609 |