Beyond autonomy in eighteenth-century British and German aesthetics

"This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological...

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Bibliographic Details
Contributors: Axelsson, Karl 1976- (Editor) ; Flodin, Camilla (Editor) ; Pirholt, Mattias 1975- (Editor)
Format: Print Book
Language:English
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Published: New York London Routledge 2021
In:Year: 2021
Volumes / Articles:Show volumes/articles.
Series/Journal:Routledge studies in eighteenth-century philosophy
Standardized Subjects / Keyword chains:B Great Britain / Germany / Aesthetics / History 1700-1800
B England / Germany / Aesthetics / History 1700-1800
Further subjects:B Aesthetics, British 18th century
B Collection of essays
B Aesthetics, German 18th century
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Summary:"This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic"--
Item Description:Literaturangaben
ISBN:0367347962