Nell’attesa del Giorno: il contesto storico-culturale del Carmen de resurrectione
The aim of this study is to determine the historical and cultural context of the pseudoepigraphic Carmen de resurrectione. The Carmen treats poetically many subjects of Christian eschatology: the second coming of Christ, the final judgement, heaven and hell, the universal conflagration. The author b...
Main Author: | |
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Format: | Electronic Article |
Language: | Italian |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Pubblicazioni Agostiniane
[2019]
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In: |
Augustinianum
Year: 2019, Volume: 59, Issue: 1, Pages: 129-142 |
IxTheo Classification: | CD Christianity and Culture KAB Church history 30-500; early Christianity NBQ Eschatology |
Online Access: |
Volltext (Verlag) Volltext (doi) |
Summary: | The aim of this study is to determine the historical and cultural context of the pseudoepigraphic Carmen de resurrectione. The Carmen treats poetically many subjects of Christian eschatology: the second coming of Christ, the final judgement, heaven and hell, the universal conflagration. The author believes that the end time is imminent. This perception is common to all the Christians who experienced tribulations: persecutions, natural calamities, barbarian invasions. These painful events urged the Christians to undertake a path of true conversion, in the religious and moral sense. Unlike other poets (Commodianus, Verecundus), the Anonymous author emphasises the virtuous value of the hope of divine reward rather than the fear of divine punishment. The same perspective can be found in the poets and in the monks of early fifth-century Gaul, who suffered the barbarian invasion of 406. |
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ISSN: | 2162-6499 |
Contains: | Enthalten in: Augustinianum
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Persistent identifiers: | DOI: 10.5840/agstm20195916 |