A Love That Reforms: Improving Gender Relations by Contesting Typologies of Women in La Comédie de Mont-de-Marsan and L’Heptaméron 10 and 42

This article examines how two texts by Marguerite de Navarre contest the tendency in courtly and ecclesiastical literature to reduce women to typologies based on sexuality, spirituality, and notions of virtue. In place of simplified typologies, Marguerite’s writings can be read as depicting women’s...

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Главный автор: Brock, Theresa (Автор)
Формат: Электронный ресурс Статья
Язык:Английский
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: [2020]
В: Renaissance and reformation
Год: 2020, Том: 43, Выпуск: 1, Страницы: 51-79
Индексация IxTheo:CB Христианская жизнь
CD Христианство и культура
KAG Реформация
KBF Британские острова
NBE Антропология
NCF Сексуальная этика
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Итог:This article examines how two texts by Marguerite de Navarre contest the tendency in courtly and ecclesiastical literature to reduce women to typologies based on sexuality, spirituality, and notions of virtue. In place of simplified typologies, Marguerite’s writings can be read as depicting women’s multidimensional personhood as they strive to live out a sincere Christian faith in a society that fixates on their sexuality. Ultimately, this study argues that when read together, La Comédie de Mont-de-Marsan and L’Heptaméron 10 and 42 suggest the need for women to develop a practical brand of Christian wisdom that will help them to reform both gender relations and patriarchal institutions, thereby replacing misogynistic discourses and behavioural patterns with respect for women’s humanity.
ISSN:2293-7374
Второстепенные работы:Enthalten in: Renaissance and reformation
Persistent identifiers:DOI: 10.33137/rr.v43i1.34079