Call and Response: Antiphonal Elements in Jewish Palestinian Aramaic Poetry

In this essay, the varieties of refrain structures used in the body of Jewish Palestinian Aramaic poetry from late antiquity provide a laboratory for examining the intersection of acclamation structures and piyyutim. The fact that these poems were written in the vernacular of the community rather th...

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Detalles Bibliográficos
Otros títulos:Singing in the Vernacular: Jewish Palestinian Aramaic Poetry
Autor principal: Lieber, Laura Suzanne 1972- (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: [2019]
En: Aramaic studies
Año: 2019, Volumen: 17, Número: 2, Páginas: 127-144
(Cadenas de) Palabra clave estándar:B Judaísmo primitivo / Arameo palestino / Piyut / Participación / Liturgia / Presentación
Clasificaciones IxTheo:HD Judaísmo primitivo
Otras palabras clave:B Participation
B Jewish Palestinian Aramaic poetry
B Liturgy
B Piyyut
B Performance
Acceso en línea: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Descripción
Sumario:In this essay, the varieties of refrain structures used in the body of Jewish Palestinian Aramaic poetry from late antiquity provide a laboratory for examining the intersection of acclamation structures and piyyutim. The fact that these poems were written in the vernacular of the community rather than in Hebrew complicates our understanding of their performative setting but at the same time may make it easier to consider a variety of potential modes of community engagement, as we are not constrained by the potential norms of a fixed liturgical setting. The analysis offered here, tentative as it may be, helps us understand both the auditory world of Late Antiquity and the active participation of Jews in the shaping of their soundscape.
ISSN:1745-5227
Obras secundarias:Enthalten in: Aramaic studies
Persistent identifiers:DOI: 10.1163/17455227-01702001