Call and Response: Antiphonal Elements in Jewish Palestinian Aramaic Poetry

In this essay, the varieties of refrain structures used in the body of Jewish Palestinian Aramaic poetry from late antiquity provide a laboratory for examining the intersection of acclamation structures and piyyutim. The fact that these poems were written in the vernacular of the community rather th...

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書目詳細資料
Subtitles:Singing in the Vernacular: Jewish Palestinian Aramaic Poetry
主要作者: Lieber, Laura Suzanne 1972- (Author)
格式: 電子 Article
語言:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
出版: [2019]
In: Aramaic studies
Year: 2019, 卷: 17, 發布: 2, Pages: 127-144
Standardized Subjects / Keyword chains:B 早期猶太教 / Palästinensisch-Aramäisch / 禮拜讚美詩 / 參加 / 禮儀 / 上演
IxTheo Classification:HD Early Judaism
Further subjects:B Participation
B Jewish Palestinian Aramaic poetry
B 行為藝術
B Liturgy
B Piyyut
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Volltext (lizenzpflichtig)
實物特徵
總結:In this essay, the varieties of refrain structures used in the body of Jewish Palestinian Aramaic poetry from late antiquity provide a laboratory for examining the intersection of acclamation structures and piyyutim. The fact that these poems were written in the vernacular of the community rather than in Hebrew complicates our understanding of their performative setting but at the same time may make it easier to consider a variety of potential modes of community engagement, as we are not constrained by the potential norms of a fixed liturgical setting. The analysis offered here, tentative as it may be, helps us understand both the auditory world of Late Antiquity and the active participation of Jews in the shaping of their soundscape.
ISSN:1745-5227
Contains:Enthalten in: Aramaic studies
Persistent identifiers:DOI: 10.1163/17455227-01702001