A Genealogy of Inelegant Art: The "De Horrendis Simulachris Deum Trinum et Unum Adumbrantibus" and Its History, with Translation and Commentary

In 1567 a short Hungarian treatise employing eight woodcuts attacked the doctrine of the Trinity, using the woodcuts to show the enormity of Trinitarian doctrine through the abuses these woodcuts ostensibly represented. But the tract was far more than the woodcuts and their descriptions, but as well...

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Bibliographic Details
Main Author: Jenkins, Gary W. 1961- (Author)
Format: Electronic Article
Language:English
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Published: Brill [2020]
In: Church history and religious culture
Year: 2020, Volume: 100, Issue: 1, Pages: 1-23
Standardized Subjects / Keyword chains:B Császmai, István, De horrendis simulachris deum trinum et unum adumbrantibus / Antitrinitarianism / History 1560-1570
IxTheo Classification:KAG Church history 1500-1648; Reformation; humanism; Renaissance
KBK Europe (East)
KDH Christian sects
NBC Doctrine of God
RH Evangelization; Christian media
Further subjects:B Francis David
B Duarte Barbosa
B Antitrinitarianism
B Laelio Sozzini
B Ovid
B Jerome Cardano
B Socinianism
B Giorgio Biandrata
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Summary:In 1567 a short Hungarian treatise employing eight woodcuts attacked the doctrine of the Trinity, using the woodcuts to show the enormity of Trinitarian doctrine through the abuses these woodcuts ostensibly represented. But the tract was far more than the woodcuts and their descriptions, but as well contained several swipes at the character of the Trinity as a uniquely Christian doctrine. This essay gives a translation of the tract along with an introduction and commentary on its sources (historical, pictorial, and theological), and the significance of the tract in the history of Antitrinitarianism.
ISSN:1871-2428
Contains:Enthalten in: Church history and religious culture
Persistent identifiers:DOI: 10.1163/18712428-10001001