The Structural Characteristics of the Cinematic Christ-figure

Christ-figures are built into many popular films, particular in the science fiction genre, but they are frequently ignored by critics, unappreciated by film fans, or resisted by anti-religionists. Conversely, believers sometimes want to see them where none credibly exist, thus religiously distorting...

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Bibliographic Details
Main Author: Kozlovic, Anton Karl (Author)
Format: Electronic Article
Language:English
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Published: University of Saskatchewan [2004]
In: Journal of religion and popular culture
Year: 2004, Volume: 8, Issue: 1
Online Access: Volltext (Resolving-System)
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Summary:Christ-figures are built into many popular films, particular in the science fiction genre, but they are frequently ignored by critics, unappreciated by film fans, or resisted by anti-religionists. Conversely, believers sometimes want to see them where none credibly exist, thus religiously distorting their reading of the films. So, what can be legitimately called a cinematic Christ-figure? Previous calls for research into this area have been overlooked, but given the pervasiveness of Christ-figure films today, it is now opportune to address that scholarly deficiency. Using textually-based, humanist film criticism as the analytical lens, the critical literature is reviewed, the popular cinema scanned, and twenty-five structural characteristics of the Christ-figure are identified and explicated. Numerous examples are used to illustrate the genre points raised. It is concluded that the Christ-figure film is a legitimate pop culture phenomenon, and that as a living genre, its usage will be undiminished in the foreseeable future. Further research into Christ-figures, holy subtexts and the emerging interdisciplinary field of religion-and-film is recommended.
ISSN:1703-289X
Contains:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.8.1.005