Everywhere Is War: Peace and Violence in the Life and Songs of Bob Marley
This paper examines two prevalent representations of Bob Marley in popular culture: Marley as a revolutionary and Marley as an icon of peace. It contends that although his legacy is often reduced to an essential meaning such as peace promoter or an advocate of violence, a closer look at his life and...
| Главный автор: | |
|---|---|
| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
[2012]
|
| В: |
Journal of religion and popular culture
Год: 2012, Том: 24, Выпуск: 3, Страницы: 380-392 |
| Другие ключевые слова: | B
Violence
B emancipation theology B Peace B Регги B Растафарианство B Bob Marley B Haile Selassie |
| Online-ссылка: |
Volltext (Resolving-System) Volltext (doi) |
MARC
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| 520 | |a This paper examines two prevalent representations of Bob Marley in popular culture: Marley as a revolutionary and Marley as an icon of peace. It contends that although his legacy is often reduced to an essential meaning such as peace promoter or an advocate of violence, a closer look at his life and lyrics suggests that Marley's views of peace and violence were more complex. I problematize these binary readings by contextualizing Bob Marley using his religious faith in Rastafari, his sociopolitical background, and Caribbean liberation theology. I suggest that for Marley peace meant freedom and the presence of universal equal rights and justice. I argue that there is enough ambiguity in the songs, and relevant context, to suggest that a metaphorical reading of violence is only one possible way to understand these songs and propose that another possible reading is that he did not necessarily rule out violence as a viable option for attaining peace. | ||
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