Everywhere Is War: Peace and Violence in the Life and Songs of Bob Marley

This paper examines two prevalent representations of Bob Marley in popular culture: Marley as a revolutionary and Marley as an icon of peace. It contends that although his legacy is often reduced to an essential meaning such as peace promoter or an advocate of violence, a closer look at his life and...

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Bibliographic Details
Published in:Journal of religion and popular culture
Main Author: Hagerman, Brent (Author)
Format: Electronic Article
Language:English
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Published: University of Saskatchewan [2012]
In: Journal of religion and popular culture
Further subjects:B Rastafari
B Violence
B emancipation theology
B Peace
B Bob Marley
B Reggae music
B Haile Selassie
Online Access: Volltext (Resolving-System)
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Summary:This paper examines two prevalent representations of Bob Marley in popular culture: Marley as a revolutionary and Marley as an icon of peace. It contends that although his legacy is often reduced to an essential meaning such as peace promoter or an advocate of violence, a closer look at his life and lyrics suggests that Marley's views of peace and violence were more complex. I problematize these binary readings by contextualizing Bob Marley using his religious faith in Rastafari, his sociopolitical background, and Caribbean liberation theology. I suggest that for Marley peace meant freedom and the presence of universal equal rights and justice. I argue that there is enough ambiguity in the songs, and relevant context, to suggest that a metaphorical reading of violence is only one possible way to understand these songs and propose that another possible reading is that he did not necessarily rule out violence as a viable option for attaining peace.
ISSN:1703-289X
Contains:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.24.3.380