Christmas in the 1960s: A Charlie Brown Christmas, Religion, and the Conventions of the Television Genre

This study of Christmas television programming from the 1960s is prompted by the repeated assertion that A Charlie Brown Christmas was an aberration within the television medium because its creator, Charles Schulz, dared to include religious content in the mainstream title. Grounded by historical/ar...

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Detalhes bibliográficos
Publicado no:Journal of religion and popular culture
Autor principal: Lind, Stephen J. (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado em: University of Saskatchewan [2014]
Em: Journal of religion and popular culture
Outras palavras-chave:B Christmas
B Television
B Peanuts
B Animação
B 1960
B Religião
B secular, public
Acesso em linha: Volltext (Resolving-System)
Volltext (doi)
Descrição
Resumo:This study of Christmas television programming from the 1960s is prompted by the repeated assertion that A Charlie Brown Christmas was an aberration within the television medium because its creator, Charles Schulz, dared to include religious content in the mainstream title. Grounded by historical/archival research, this article presents a content analysis of Christmas titles from the 1960s formative decade-of-change in order to substantiate the claim of television's secularity. The findings demonstrate that even in the genre of Christmas programming, mainstream television has abided by a public/private split from this early era, embracing a model of secularity that resists references to religious belief. A Charlie Brown Christmas and its contemporaries are also analyzed to determine the conventions of the genre that may at times afford such religious aberration when otherwise followed.
ISSN:1703-289X
Obras secundárias:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.26.1.1