Christmas in the 1960s: A Charlie Brown Christmas, Religion, and the Conventions of the Television Genre
This study of Christmas television programming from the 1960s is prompted by the repeated assertion that A Charlie Brown Christmas was an aberration within the television medium because its creator, Charles Schulz, dared to include religious content in the mainstream title. Grounded by historical/ar...
| Publicado en: | Journal of religion and popular culture |
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| Autor principal: | |
| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | Gargar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
University of Saskatchewan
[2014]
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| En: |
Journal of religion and popular culture
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| Otras palabras clave: | B
Christmas
B Religión B Television B Peanuts B Animación B 1960 B secular, public |
| Acceso en línea: |
Volltext (Resolving-System) Volltext (doi) |
| Sumario: | This study of Christmas television programming from the 1960s is prompted by the repeated assertion that A Charlie Brown Christmas was an aberration within the television medium because its creator, Charles Schulz, dared to include religious content in the mainstream title. Grounded by historical/archival research, this article presents a content analysis of Christmas titles from the 1960s formative decade-of-change in order to substantiate the claim of television's secularity. The findings demonstrate that even in the genre of Christmas programming, mainstream television has abided by a public/private split from this early era, embracing a model of secularity that resists references to religious belief. A Charlie Brown Christmas and its contemporaries are also analyzed to determine the conventions of the genre that may at times afford such religious aberration when otherwise followed. |
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| ISSN: | 1703-289X |
| Obras secundarias: | Enthalten in: Journal of religion and popular culture
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| Persistent identifiers: | DOI: 10.3138/jrpc.26.1.1 |