Christmas in the 1960s: A Charlie Brown Christmas, Religion, and the Conventions of the Television Genre
This study of Christmas television programming from the 1960s is prompted by the repeated assertion that A Charlie Brown Christmas was an aberration within the television medium because its creator, Charles Schulz, dared to include religious content in the mainstream title. Grounded by historical/ar...
| Published in: | Journal of religion and popular culture |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Saskatchewan
[2014]
|
| In: |
Journal of religion and popular culture
|
| Further subjects: | B
Christmas
B Television B Peanuts B 1960 B Religion B secular, public B Social participation |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a This study of Christmas television programming from the 1960s is prompted by the repeated assertion that A Charlie Brown Christmas was an aberration within the television medium because its creator, Charles Schulz, dared to include religious content in the mainstream title. Grounded by historical/archival research, this article presents a content analysis of Christmas titles from the 1960s formative decade-of-change in order to substantiate the claim of television's secularity. The findings demonstrate that even in the genre of Christmas programming, mainstream television has abided by a public/private split from this early era, embracing a model of secularity that resists references to religious belief. A Charlie Brown Christmas and its contemporaries are also analyzed to determine the conventions of the genre that may at times afford such religious aberration when otherwise followed. | ||
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