Déjà Vu: Shirley Kaufman's Poetry on Biblical Women

This article explores Shirley Kaufman's reading of the Bible as an elaboration on/of its feminine characters via three devices: (a) Dramatic monologues, in which the woman speaks for herself ("Rebecca" and "Leah"); (b) description of specific scenes that gives us a glimpse i...

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Bibliographic Details
Published in:Religions
Main Author: Koplowitz-Breier, Anat (Author)
Format: Electronic Article
Language:English
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Published: MDPI [2019]
In: Religions
Further subjects:B Hebrew Bible
B American Jewish poets
B biblical women
B Shirley Kaufman
B Midrash
Online Access: Presumably Free Access
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Summary:This article explores Shirley Kaufman's reading of the Bible as an elaboration on/of its feminine characters via three devices: (a) Dramatic monologues, in which the woman speaks for herself ("Rebecca" and "Leah"); (b) description of specific scenes that gives us a glimpse into the character's point of view ("His Wife", "Michal", "Abishag", "The Wife of Moses", "Yael", and "Job's Wife"); and (c) interweaving of the biblical context into contemporary reality ("Déjà Vu" and "The Death of Rachel"). Fleshing these figures out, Kaufman portrays the biblical women through contemporary lenses as a way of "coming to terms with the past" and the historical exclusion of "women's bodies" from Jewish tradition, thereby giving them a voice and "afterlife". Her treatment of the biblical texts can thus be viewed as belonging to the new midrashic-poetry tradition by Jewish-American women that has emerged as part of the Jewish feminist wave. Herein, Kaufman follows Adrienne Rich and Alicia Ostriker's "re-visioning" of the Bible and in particularly its women, empowering them by making use of her/their own words.
ISSN:2077-1444
Contains:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel10090493