To An Unknown Apostle: Moments of Pauline Undoing in Pier Paolo Pasolini's Saint Paul

After situating Pasolini's sketch for a screenplay about the apostle within a broad context of Pauline retellings, this essay goes on to explore the uneasy tension Pasolini develops between Paul as representative of an oppressive religious authority, and Paul as frail, entrancing, humbled mysti...

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Bibliographic Details
Main Author: Twomey, Jay (Author)
Format: Electronic Article
Language:English
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Published: Brill [2019]
In: Biblical interpretation
Year: 2019, Volume: 27, Issue: 4/5, Pages: 518-532
Standardized Subjects / Keyword chains:B Pasolini, Pier Paolo 1922-1975 / Film / Reception / Paul Apostle / King, Martin Luther 1929-1968
IxTheo Classification:CD Christianity and Culture
HC New Testament
Further subjects:B Martin Luther King, Jr
B Translation
B quotidian
B undoing
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Summary:After situating Pasolini's sketch for a screenplay about the apostle within a broad context of Pauline retellings, this essay goes on to explore the uneasy tension Pasolini develops between Paul as representative of an oppressive religious authority, and Paul as frail, entrancing, humbled mystic. The tension is uneasy because it represents something of a false dichotomy. The real choice offered in the screenplay, the paper argues, is between Paul the New Testament personality, and Paul the ordinary, and mostly unknown, individual. While Pasolini may barely hint at the possibilities of so understated a treatment, his example sets the stage (so to speak) for an intriguingly contemporary response to more typical examples of Pauline reception (especially among critics inspired by the Paul of Badiou, Agamben, et al.).
ISSN:1568-5152
Contains:Enthalten in: Biblical interpretation
Persistent identifiers:DOI: 10.1163/15685152-02745P04