El rostro de Cristo en el arte = The face of Christ in art
Throughout the centuries, Christian Art has represented Christ according to a series of features in which the theology and spirituality of each epoch are reflected. In this paper we go from the earliest Christian representations of Christ as the Good Shepherd and Philosopher up to the present day, t...
| Subtitles: | The face of Christ in art |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2016]
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| In: |
Anuario de historia de la Iglesia
Year: 2016, Volume: 25, Pages: 265-316 |
| IxTheo Classification: | CE Christian art KAA Church history NBF Christology |
| Further subjects: | B
Theology
B Teología B Iconography B Christian B Cristo B Iconografía B Species B Arte |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
| Summary: | Throughout the centuries, Christian Art has represented Christ according to a series of features in which the theology and spirituality of each epoch are reflected. In this paper we go from the earliest Christian representations of Christ as the Good Shepherd and Philosopher up to the present day, through the Christ in majesty of the Romanesque style, the suffering Christ of the Gothic, the perfectus Deus and perfectus homo of the Renaissance, the triumphant Christ characteristic of the post-Tridentine Baroque, and 19th century historicism. A lo largo de los siglos, el arte cristiano ha representado a Cristo de acuerdo con una serie de rasgos en los que se refleja la teología y la espiritualidad de cada época. En esta ponencia se hará un repaso desde las primeras representaciones paleocristianas de Cristo como Buen Pastor y Filósofo hasta la actualidad, pasando por el Cristo en majestad del Románico, el Cristo sufriente del Gótico, el perfectus Deus et perfectus homo del Renacimiento, el Cristo triunfante que propone el Barroco después del concilio de Trento, o las propuestas historicistas del siglo XIX. |
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| Physical Description: | Illustrationen |
| ISSN: | 2174-0887 |
| Contains: | Enthalten in: Anuario de historia de la Iglesia
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| Persistent identifiers: | DOI: 10.15581/007.25.265-316 |