Liminality of the body: a theological reflection on singing and kenosis
Musical performance is for many people an immediate pathway to access interior silence. Singing is distinctive because the origin of the sound is the body of the musician, and this is the springboard to explore parallels between models of the self between Barry Green on music performance and Maggie...
| 主要作者: | |
|---|---|
| 格式: | 电子 文件 |
| 语言: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | 载入...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
Routledge, Taylor and Francis Group
[2019]
|
| In: |
Practical theology
Year: 2019, 卷: 12, 发布: 3, Pages: 297-300 |
| IxTheo Classification: | CB Christian life; spirituality CD Christianity and Culture NBE Anthropology RD Hymnology |
| Further subjects: | B
Singing
B Contemplative Prayer B 虚己说 B music performance |
| 在线阅读: |
Volltext (Resolving-System) Volltext (doi) |
| 总结: | Musical performance is for many people an immediate pathway to access interior silence. Singing is distinctive because the origin of the sound is the body of the musician, and this is the springboard to explore parallels between models of the self between Barry Green on music performance and Maggie Ross on contemplative prayer. This article draws attention to similarities in approach, emphasising the role of self-forgetfulness and the interplay between left and right brain that establishes a condition of kenosis and liminality. The article explores how this move to kenosis and liminality plays out in community. |
|---|---|
| ISSN: | 1756-0748 |
| Contains: | Enthalten in: Practical theology
|
| Persistent identifiers: | DOI: 10.1080/1756073X.2019.1600841 |