The Verbal Portrait: Erik H. Erikson's Contribution to Psychoanalytic Discourse

This article makes the case that Erik H. Erikson developed a form of psychoanalytic discourse—the verbal portrait—which, although not unprecedented, became a focal feature of his work, and the testing ground for the cogency of his major contribution to psychoanalysis (the concept of identity). It su...

Full description

Saved in:  
Bibliographic Details
Published in:Journal of religion and health
Main Author: Capps, Donald 1939- (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Springer Science + Business Media B. V. [2011]
In: Journal of religion and health
Further subjects:B Concept of identity
B Mauice Grosser
B Memorial service
B Despair
B Martin Luther
B Stephen Schlein
B William James
B Ralph Waldo Emerson
B Verbal portrait
B Psychoanalytic Discourse
B Portrait painting
B Generativity
B Joan M. Erikson
B Richard Brilliant
B Sigmund Freud
B Ruth Benedict
B Erik H. Erikson
B Integrity
Online Access: Volltext (Resolving-System)
Description
Summary:This article makes the case that Erik H. Erikson developed a form of psychoanalytic discourse—the verbal portrait—which, although not unprecedented, became a focal feature of his work, and the testing ground for the cogency of his major contribution to psychoanalysis (the concept of identity). It suggests that Erikson was inspired to develop the verbal portrait because he came to psychoanalysis from art and was, in fact, a portrait artist. Drawing especially on the work of Richard Brilliant, it presents the view that a portrait is a portrayal of the subject's identity and goes on to show how Erikson's memorial to the cultural anthropologist Ruth Benedict is representative of the verbal portrait.
ISSN:1573-6571
Contains:Enthalten in: Journal of religion and health
Persistent identifiers:DOI: 10.1007/s10943-011-9515-3