The soundscape of Pasolini's Gospel According to St. Matthew
Il Vangelo Secondo Matteo (1964), by the Italian film director Pier Paolo Pasolini, is one of the most interesting and widely acclaimed film representations of the life of Jesus. Its reception in the Catholic world has reflected the alternating fortunes of Pasolini himself, but over the years critic...
| Главный автор: | |
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| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
[2019]
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| В: |
Journal for religion, film and media
Год: 2019, Том: 5, Выпуск: 1, Страницы: 87-101 |
| Нормированные ключевые слова (последовательности): | B
Il vangelo secondo Matteo
/ Jesus Christus
/ Эстетика кино
/ Киномузыка
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| Индексация IxTheo: | AG Религиозная жизнь CD Христианство и культура HC Новый Завет NBF Христология |
| Другие ключевые слова: | B
Il vangelo secondo Matteo
B Pier Paolo Pasolini B Intertextuality B THE GOSPEL ACCORDING TO ST. MATTHEW B audio-visual syntax B musical leitmotifs |
| Online-ссылка: |
Volltext (doi) Volltext (kostenfrei) |
| Итог: | Il Vangelo Secondo Matteo (1964), by the Italian film director Pier Paolo Pasolini, is one of the most interesting and widely acclaimed film representations of the life of Jesus. Its reception in the Catholic world has reflected the alternating fortunes of Pasolini himself, but over the years critics have come to fully appreciate its merits. While the director made faithful use of the dialogues in the Gospel, he constructed a new - but plausible - imagination, or "architecture of reality", based on an intertextual code with intersecting pictorial, architectural, biblical and sound references. This essay aims in particular to employ a semiotic approach to analyse the musical motifs in the film, and the way in which they convey precise meanings and values to the viewer about the figure and life of Jesus. Songs and musical compositions are leitmotifs that punctuate the narrative, interweaving with the visual component to form a full-blown language in its own right. |
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| ISSN: | 2617-3697 |
| Второстепенные работы: | Enthalten in: Journal for religion, film and media
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| Persistent identifiers: | DOI: 10.25364/05.4:2019.1.6 |
