Bombing at the Box Office: Reviewers' Responses to Agnosticism in Bill Maher's Religulous
This article examines reviewers' reactions to Bill Maher's documentary film Religulous as a way of beginning a discussion of media and religious hegemony. Hegemony theory posits that dominant ideology typically trumps contesting views, even when the latter do manage to leak through the sys...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
[2011]
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| In: |
Journal of media and religion
Year: 2011, Volume: 10, Issue: 2, Pages: 91-112 |
| Online Access: |
Presumably Free Access Volltext (Resolving-System) |
| Summary: | This article examines reviewers' reactions to Bill Maher's documentary film Religulous as a way of beginning a discussion of media and religious hegemony. Hegemony theory posits that dominant ideology typically trumps contesting views, even when the latter do manage to leak through the system. Given this, one might expect that film reviewers serve as a second line of defense for entrenched worldviews. Here, however, a thematic analysis of reviews from major national newspapers reveals that critics provided only slight support to traditional religious views Maher challenges in his filmic plea for agnosticism. |
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| ISSN: | 1534-8415 |
| Contains: | Enthalten in: Journal of media and religion
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| Persistent identifiers: | DOI: 10.1080/15348423.2011.572440 |