'Divinity, Adieu!' The Modern Subject and the Encounter with Scripture in Christopher Marlowe'sDoctor Faustus

Throughout Marlowe's tragedy Doctor Faustus, the protagonist experiences the Bible and individual scriptural passages as uncannily divorced from their divine source, and therefore available to be comprehensively judged and dismissed from the vantage point of a sovereign subjectivity. This const...

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Bibliographic Details
Main Author: DeCook, Travis 1976- (Author)
Format: Electronic Article
Language:English
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Published: Oxford University Press [2018]
In: Literature and theology
Year: 2018, Volume: 32, Issue: 3, Pages: 321-339
IxTheo Classification:CD Christianity and Culture
CF Christianity and Science
HA Bible
KDD Protestant Church
Online Access: Volltext (Resolving-System)
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Description
Summary:Throughout Marlowe's tragedy Doctor Faustus, the protagonist experiences the Bible and individual scriptural passages as uncannily divorced from their divine source, and therefore available to be comprehensively judged and dismissed from the vantage point of a sovereign subjectivity. This construction of the Bible is bound up with both the autonomy Faustus imagines for himself, and with his secular view of the world, in which entities possess their being in a self-contained and self-grounding manner, and are therefore available to his full comprehension and control. This article concludes by considering how we might account for the apparent convergence of Faustus's construction of Scripture and modern theories of Protestant biblicism.
ISSN:1477-4623
Contains:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/fry003