Ursula Le Guin and Theological Alterity
The imbrication of politics and religion is becoming a matter of growing interest for young adult writers and readers. Contemporary authors re-deploy the tropes of fantasy writing to craft a mode in which the fantastical is sacred and world creation involves engagement with religious difference and...
| Autore principale: | |
|---|---|
| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
[2016]
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| In: |
Literature and theology
Anno: 2016, Volume: 30, Fascicolo: 2, Pagine: 182-197 |
| Notazioni IxTheo: | CD Cristianesimo; cultura CG Cristianesimo e politica NBC Dio |
| Accesso online: |
Accesso probabilmente gratuito Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a The imbrication of politics and religion is becoming a matter of growing interest for young adult writers and readers. Contemporary authors re-deploy the tropes of fantasy writing to craft a mode in which the fantastical is sacred and world creation involves engagement with religious difference and fostering reconciliation. This article focuses on the recent work of Ursula Le Guin to explore recent attention to religious difference in young adult literature: both differences between between people and a more radical alterity between humanity and divinity. Mayra Rivera's postcolonial theology of transcendence, in which God is always beyond human grasp but still implicated in human relations, speaks eloquently to Le Guin's fiction. | ||
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