Of fruit and corpses and wordplay visions: picturing Amos 8.1-3

... The paper is a consideration of the relationship between the ear and the eye and an exploration of Amos 8.1-3 as audiovision. The passage, which is usually read as a 'wordplay vision' (a term that is oxymoronically revealing in itself), can also be imagined as a still life with fruit w...

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Bibliographic Details
Main Author: Sherwood, Yvonne 1969- (Author)
Format: Print Article
Language:English
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Published: Sage 2001
In: Journal for the study of the Old Testament
Year: 2001, Volume: 25, Issue: 92, Pages: 5-27
Standardized Subjects / Keyword chains:B Bible. Amos 8,1-3
IxTheo Classification:CD Christianity and Culture
HB Old Testament
Further subjects:B Amos Prophet
B Bible. Amos 8,1-3
B Iconography
B Poetics
Parallel Edition:Electronic
Description
Summary:... The paper is a consideration of the relationship between the ear and the eye and an exploration of Amos 8.1-3 as audiovision. The passage, which is usually read as a 'wordplay vision' (a term that is oxymoronically revealing in itself), can also be imagined as a still life with fruit with the caption 'women wailing, corpses lying everywhere'. By comparing Yhwh's bizarre vision-works with similar (in fact, obligingly similar) artworks by René Magritte, I explore the vision as a way into both the convulsive poetics of Amos (the book set over the earthquake) and, on an ever larger scale, the whole poetics of prophetic/divine speech.
Item Description:Mit 18 Abbildungen
ISSN:0309-0892
Contains:In: Journal for the study of the Old Testament