On the threshold: theology of images and the spatial Christ

This short paper (adapted from a part of my ma dissertation at King’s College London) explores the theology of images with reference to the devotional art of the Italian Renaissance, or, more precisely, to the painted image of Christ. The essay will aim to penetrate the theological theme of threshol...

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Bibliographic Details
Main Author: Miller, Stephen (Author)
Format: Print Article
Language:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2015
In: Theology
Year: 2015, Volume: 118, Issue: 5, Pages: 338-346
IxTheo Classification:CE Christian art
NBF Christology
Parallel Edition:Electronic
Description
Summary:This short paper (adapted from a part of my ma dissertation at King’s College London) explores the theology of images with reference to the devotional art of the Italian Renaissance, or, more precisely, to the painted image of Christ. The essay will aim to penetrate the theological theme of threshold – to show what it means to talk of crossing such thresholds and what it means to interact with such space. The thesis is that Christ literally becomes space, in timeless representation – the Incarnation drawing attention to the invisible God’s own visibility in the image of Christ.
ISSN:0040-571X
Contains:In: Theology