Resistant structures: particularity, radicalism, and Renaissance texts

Taking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" reading. His approa...

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Bibliographic Details
Main Author: Strier, Richard 1945- (Author)
Format: Print Book
Language:English
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Published: Berkeley, Calif. [u.a.] University of Californiarnia Press 1997
In: The new historicism, studies in cultural poetics (34)
Year: 1997
Reviews:[Rezension von: Strier, Richard, Resistant Structures: Particularity, Radicalism, and Renaissance Texts] (1997) (Shepard, Alan)
Edition:1. paperb. print.
Series/Journal:The new historicism, studies in cultural poetics 34
Standardized Subjects / Keyword chains:B English language / Literature / Particularism / Radicalism / History 1500-1700
B English language / Literature / Hermeneutics / Interpretation of / History 1600-1700
Further subjects:B Literature and history England History 16th century
B Radicalism in literature
B Particularity (Aesthetics)
B Renaissance England
B Literature and history England History 17th century
B English literature Early modern, 1500-1700 History and criticism Theory, etc
Description
Summary:Taking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" reading. His approach privileges particularity and attempts to respect the "resistant structures" of texts. He opposes theories, critical and historical, that dictate in advance what texts must - or cannot - say or do. The first part of the book, "Against Schemes," demonstrates, in discussions of Rosemond Tuve, Stephen Greenblatt, and Stanley Fish, among others, how both historicist and purely theoretical approaches can equally produce distortion of particulars. The second part, "Against Received Ideas," shows how a variety of texts (by Shakespeare, Donne, Herbert, and others) have been seen through the lenses of fixed, mainly conservative ideas in ways that have obscured their actual, surprising, and sometimes surprisingly radical content
Item Description:Includes bibliographical references and index
ISBN:0520209052