Studies in the printing, publishing, and performance of music in the 16th century
The "first" edition of the Odhecaton A -- Petrucci's type-setters and the process of stemmatics -- A case of work and turn half-sheet imposition in the early 16th century -- Printed music books of the Italian renaissance from the point of view of manuscript study -- The Salzburg litur...
| Summary: | The "first" edition of the Odhecaton A -- Petrucci's type-setters and the process of stemmatics -- A case of work and turn half-sheet imposition in the early 16th century -- Printed music books of the Italian renaissance from the point of view of manuscript study -- The Salzburg liturgy and single-impression music printing -- Early music printing : working for a specialized market -- Some non-conflicting attributions, and some newly anonymous compositions, from the early 16th century -- The music publisher's view of his public's abilities and taste : Venice and Antwerp -- Notational spelling and scribal habit -- False relations and the cadence -- Two aspects of performance practice in the Sistine Chapel of the early sixteenth century. |
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| ISBN: | 0860789705 |