Art Via Theology: Eschatology and Tradition in Arthur C. Danto's Philosophy of Art
In this paper I interpret Arthur Danto's thesis on "the end of art" in eschatological terms. He allows for this by having chosen Joachim of Fiore's theological theory of the three ages to illuminate his own understanding of art history. I offer some ideas on how this post-history...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Philosophy Documentation Center
[2017]
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In: |
American catholic philosophical quarterly
Year: 2017, Volume: 91, Issue: 2, Pages: 299-316 |
Further subjects: | B
Theology
B DANTO, Arthur Coleman, 1924-2013 B JOACHIM of Fiore (Book) B Eschatology B PHILOSOPHY of Art (Book) |
Online Access: |
Volltext (doi) |
Summary: | In this paper I interpret Arthur Danto's thesis on "the end of art" in eschatological terms. He allows for this by having chosen Joachim of Fiore's theological theory of the three ages to illuminate his own understanding of art history. I offer some ideas on how this post-history might be understood by means of theological method. I also explore the relationship between the concept of "tradition" and Danto's concept of "transfiguration." By means of these analyses I bring out the tendency in contemporary analytical philosophy of art to interpret the work of art via theological categories. I consider this to be another argument in favor of the view that art has taken the place of religion in the philosophical consciousness. |
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ISSN: | 2153-8441 |
Contains: | Enthalten in: American catholic philosophical quarterly
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Persistent identifiers: | DOI: 10.5840/acpq201736112 |