The Fullness of Time: Kierkegaardian Themes in Dreyer's Ordet
I offer an approach to Dreyer's film Ordet as a contribution to the phenomenology of a certain kind of religious experience. The experience in question is one of a moment that disrupts the chronological flow of time and that, in the lived experience of it, is charged with eternal significance....
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2019]
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| In: |
Religions
Year: 2019, Volume: 10, Issue: 1, Pages: 1-13 |
| Further subjects: | B
Dreyer
B Phenomenology B Spirituality B Film B Kierkegaard B Religion B Time B Eternity B Temporality B Philosophy |
| Online Access: |
Presumably Free Access Volltext (Publisher) Volltext (doi) |
| Summary: | I offer an approach to Dreyer's film Ordet as a contribution to the phenomenology of a certain kind of religious experience. The experience in question is one of a moment that disrupts the chronological flow of time and that, in the lived experience of it, is charged with eternal significance. I propose that the notoriously divisive ending of Ordet reflects an aim to provide the film's viewers with an experience of this very sort. I draw throughout on some central ideas in Kierkegaard's work, especially his category of the moment.' |
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| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel10010058 |
