Visual Exegesis at ‘The World’s Oldest Church’: a Case Study for Historiography
This article highlights the importance of acknowledging the underlying methodology in the interpretation of early Christian art. I raise these issues via an engagement with the frescoes at Dura Europos, as interpreted by Michael Peppard in his recent work, The World’s Oldest Church. I demonstrate th...
| Main Author: | |
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| Contributors: | |
| Format: | Electronic Review |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2018
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| In: |
Zeitschrift für antikes Christentum
Year: 2018, Volume: 22, Issue: 3, Pages: 456-479 |
| Review of: | The world's oldest church (New Haven : Yale University Press, 2016) (Harrower, Scott)
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| Standardized Subjects / Keyword chains: | B
Dura-Europos
/ Baptistry
/ Fresco painting
/ Interpretation of
/ Methodology
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| IxTheo Classification: | CE Christian art HH Archaeology KAB Church history 30-500; early Christianity KBL Near East and North Africa NBP Sacramentology; sacraments |
| Further subjects: | B
Book review
B Archaeology Species Visual Exegesis Syrian Christianity Early Christianity Dura Europos House Church Christianity |
| Online Access: |
Volltext (Verlag) |
| Summary: | This article highlights the importance of acknowledging the underlying methodology in the interpretation of early Christian art. I raise these issues via an engagement with the frescoes at Dura Europos, as interpreted by Michael Peppard in his recent work, The World’s Oldest Church. I demonstrate that Peppard’s ideology and archaeological methodology entail a creative, hermeneutical nexus for interpreting the initiation rituals at the Dura Europos house church. For Peppard, this nexus entails an innovative interplay between non-canonical sources, art and liturgical identity. This yields a surprising interpretation of initiation rituals at Dura Europos and, by extension, of early Christianity in Syria. After describing some problematic aspects of Peppard’s ideological and archaeological choices, I offer suggestions for a related proposal on Christology and visual exegesis at the Dura Europos house church baptistery. This proposal begins with clarification of ideological issues that foreground visual exegesis at Dura Europos, and argues for the adoption of six essential criteria when reconstructing the operative Christology in the baptistery of Dura Europos. |
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| Physical Description: | Online-Ressource |
| ISSN: | 1612-961X |
| Contains: | In: Zeitschrift für antikes Christentum
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| Persistent identifiers: | DOI: 10.1515/zac-2018-0035 |