The Crucifix, the Pietà, and the Female Mystic: : Devotional Objects and Performative Identity in the Book of Margery Kempe
Focusing on The Book of Margery Kempe, this article argues that devotional objects such as the crucifix and the pietà functioned as a model for the performance of religious identity. Reading devotional objects as devotional events, using material culture and performance theory, the article will de...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Penn State Univ. Press
[2015]
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In: |
Journal of medieval religious cultures
Year: 2015, Volume: 41, Issue: 2, Pages: 208-237 |
IxTheo Classification: | CB Christian life; spirituality CE Christian art KAF Church history 1300-1500; late Middle Ages NBF Christology NBJ Mariology |
Online Access: |
Volltext (Verlag) Volltext (doi) |
Summary: | Focusing on The Book of Margery Kempe, this article argues that devotional objects such as the crucifix and the pietà functioned as a model for the performance of religious identity. Reading devotional objects as devotional events, using material culture and performance theory, the article will demonstrate that pastoral care texts and religious lyrics created an expectation that an encounter with a devotional object could be a powerful opportunity for religious self-fashioning. This was an opportunity that was available to Lollard as well as orthodox devotees and which, I will argue, was especially efficacious for laywomen. A detailed examination of Margery Kempe's encounter with the pietà and her experience in the house of a poor woman in Rome additionally reveals that such performances established female communities that operated outside of ecclesiastical control and renegotiated the contours of sacred space. |
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ISSN: | 2153-9650 |
Contains: | Enthalten in: Journal of medieval religious cultures
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Persistent identifiers: | DOI: 10.5325/jmedirelicult.41.2.0208 |