The Crucifix, the Pietà, and the Female Mystic: : Devotional Objects and Performative Identity in the Book of Margery Kempe

Focusing on The Book of Margery Kempe, this article argues that devotional objects such as the crucifix and the pietà functioned as a model for the performance of religious identity. Reading devotional objects as devotional “events,” using material culture and performance theory, the article will de...

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Bibliographic Details
Published in:Journal of medieval religious cultures
Main Author: Varnam, Laura 1982- (Author)
Format: Electronic Article
Language:English
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Published: Penn State Univ. Press [2015]
In: Journal of medieval religious cultures
IxTheo Classification:CB Christian life; spirituality
CE Christian art
KAF Church history 1300-1500; late Middle Ages
NBF Christology
NBJ Mariology
Online Access: Volltext (Verlag)
Volltext (doi)
Description
Summary:Focusing on The Book of Margery Kempe, this article argues that devotional objects such as the crucifix and the pietà functioned as a model for the performance of religious identity. Reading devotional objects as devotional “events,” using material culture and performance theory, the article will demonstrate that pastoral care texts and religious lyrics created an expectation that an encounter with a devotional object could be a powerful opportunity for religious self-fashioning. This was an opportunity that was available to Lollard as well as orthodox devotees and which, I will argue, was especially efficacious for laywomen. A detailed examination of Margery Kempe's encounter with the pietà and her experience in the house of a poor woman in Rome additionally reveals that such performances established female communities that operated outside of ecclesiastical control and renegotiated the contours of sacred space.
ISSN:2153-9650
Contains:Enthalten in: Journal of medieval religious cultures
Persistent identifiers:DOI: 10.5325/jmedirelicult.41.2.0208