Theater of the Holy: Performative Elements of Late Ancient Hymnography*
A script is merely an artifact until a performer brings it to life; a text is a starting point, despite the fact that its finality suggests a destination. With works that were meant to be performed in some fashion (however generously understood performance may be), the dynamic relationship between...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
[2015]
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| In: |
Harvard theological review
Year: 2015, Volume: 108, Issue: 3, Pages: 327-355 |
| Standardized Subjects / Keyword chains: | B
Judaism
/ Christianity
/ Poetry
/ Performance of
/ History 400-650
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| IxTheo Classification: | AG Religious life; material religion BH Judaism CD Christianity and Culture KAB Church history 30-500; early Christianity KAD Church history 500-900; early Middle Ages |
| Online Access: |
Volltext (Verlag) Volltext (doi) |
| Summary: | A script is merely an artifact until a performer brings it to life; a text is a starting point, despite the fact that its finality suggests a destination. With works that were meant to be performed in some fashion (however generously understood performance may be), the dynamic relationship between performer and audience shapes and even defines their reception; such works, fully expressed, are visual, auditory, and kinetic. The written word may mediate this relationship, shaping the arc of the narrative and the words of the characters, but it is performance that gives the narrative life and the characters voices and bodies. |
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| ISSN: | 1475-4517 |
| Contains: | Enthalten in: Harvard theological review
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| Persistent identifiers: | DOI: 10.1017/S001781601500022X |