Just Call Me by My Name: Worship Music in Asian Ecumenism
This article examines the historical development of worship music in Asian ecumenism by examining three ecumenical hymnals from the 1960s to the present. It identifies key personalities and institutions involved in the formation of Asian worship music. The essay argues that the maturation of Asian C...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Wiley-Blackwell
[2017]
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| In: |
The ecumenical review
Year: 2017, Volume: 69, Issue: 4, Pages: 502-515 |
| IxTheo Classification: | KAJ Church history 1914-; recent history KBM Asia KDJ Ecumenism RD Hymnology |
| Online Access: |
Volltext (Verlag) Volltext (doi) |
| Summary: | This article examines the historical development of worship music in Asian ecumenism by examining three ecumenical hymnals from the 1960s to the present. It identifies key personalities and institutions involved in the formation of Asian worship music. The essay argues that the maturation of Asian Christian spirituality via music making requires the church to hold in tension both its missional heritage and local cultural practices. It proposes the development of robust theo-liturgical scholarship as being critical in helping the church mature. |
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| ISSN: | 1758-6623 |
| Contains: | Enthalten in: The ecumenical review
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| Persistent identifiers: | DOI: 10.1111/erev.12317 |