One Good Turn Deserves Another
Elizabeth Bucar has provided a service to the guild with her introduction to the emergent field of visual ethics. In this comment I undertake to expand the picture she presents. I argue that the visual dimension of ethics includes a dark side not addressed in her piece, and go on to consider a num...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
[2017]
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| Dans: |
Journal of religious ethics
Année: 2017, Volume: 45, Numéro: 1, Pages: 194-205 |
| Sujets non-standardisés: | B
visual ethics
B Visual Culture B distant suffering B ethics and aesthetics B film and ethics |
| Accès en ligne: |
Volltext (Maison d'édition) Volltext (doi) |
| Résumé: | Elizabeth Bucar has provided a service to the guild with her introduction to the emergent field of visual ethics. In this comment I undertake to expand the picture she presents. I argue that the visual dimension of ethics includes a dark side not addressed in her piece, and go on to consider a number of current avenues of inquiry in which religious ethics intersects with visual studies. After briefly considering some of the distinctive methodological challenges attending the visual turn in ethics, I conclude my survey of this new field with some comments on the moral qualities of cinema. |
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| ISSN: | 1467-9795 |
| Contient: | Enthalten in: Journal of religious ethics
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| Persistent identifiers: | DOI: 10.1111/jore.12173 |
