La viuda pobre como arquetipo marginal Estudio bíblico-literario

Universal literature is crowded by archetypical characters who share abandonment and marginalization conditions, being second half 19th century realistic literature that comfirms and exposes those conditions. In that sense, The Holy Bible presents a number of those characters. Besides, it highlights...

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Bibliographic Details
Published in:Veritas
Authors: Carbullanca Núñez, César 1960- (Author) ; Andes Valenzuela Corales, María de los (Author)
Format: Electronic Article
Language:Spanish
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Published: 2017
In: Veritas
IxTheo Classification:CD Christianity and Culture
HA Bible
Further subjects:B Estética de la recepción
B poor widow
B Baldomero Lillo
B Aesthetics reception
B siervo sufriente
B viuda pobre
B Wolfgang Iser
B Suffering Servant
Online Access: Volltext (kostenfrei)
Description
Summary:Universal literature is crowded by archetypical characters who share abandonment and marginalization conditions, being second half 19th century realistic literature that comfirms and exposes those conditions. In that sense, The Holy Bible presents a number of those characters. Besides, it highlights a turning point, hence, The Beatitudes point out: “Blessed are the poor in spirit, for theirs is the kingdom of heaven”. Thus, the following biblical-literary study, centered in the “Poor widow” archetype, aims to the establishment of literary fiction as interpretative key of reality, under Wolfgang Iser Aesthetics Reception's theory as its metodology. The objective aims to postulate “Poor Widow” as a Cultural imaginary, and finally to establish the reception of that imaginary within the stories “El Chiflón del Diablo” (The devil's blast) and “El Pago” (“The Payment”) by the chilean writer Baldomero Lillo, demonstrating that the dialog between culture and The Holy Bible represents a contribution to some literary fictions as anthropological categories. (English)
ISSN:0718-9273
Contains:Enthalten in: Veritas
Persistent identifiers:DOI: 10.4067/S0718-92732017000300141