The Group Portrait in the Lincoln typikon: Identity and Social Structure in a Fourteenth-Century Convent
The fourteenth-century typikon of the Convent of the Virgin of Sure Hope in Constantinople (Oxford, Lincoln College, MS Gr. 35) has attracted much scholarly attention due to its rich illuminations and text, which provide evidence for life in a Late Byzantine convent. This study concerns one of the m...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brepols
[2016]
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| In: |
The journal of medieval monastic studies
Year: 2016, Volume: 5, Pages: 139-164 |
| IxTheo Classification: | CD Christianity and Culture KAF Church history 1300-1500; late Middle Ages KBK Europe (East) KCA Monasticism; religious orders KDF Orthodox Church |
| Online Access: |
Volltext (Verlag) Volltext (doi) |
| Summary: | The fourteenth-century typikon of the Convent of the Virgin of Sure Hope in Constantinople (Oxford, Lincoln College, MS Gr. 35) has attracted much scholarly attention due to its rich illuminations and text, which provide evidence for life in a Late Byzantine convent. This study concerns one of the most important artistic features of the codex: the significance of the manuscript's group portrait of thirty-five members of the convent (folio 12r) which reflects, I argue, the social organization within the convent, giving further insight into class systems and the role of work within Late Byzantine monasteries. It is argued that the group and other portraits in the manuscript together express the hierarchy and purpose of the convent, that is, to ensure the salvation of the convent's elite patrons, a noble Byzantine family. |
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| ISSN: | 2034-3523 |
| Contains: | Enthalten in: The journal of medieval monastic studies
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| Persistent identifiers: | DOI: 10.1484/J.JMMS.5.110842 |