“Your God is a Racist, Sexist, Homophobic, and a Misogynist … Our God is Change”: Ishmael Reed, Octavia Butler and Afrofuturist Critiques of (Black) American Religion

This article explores Afrofuturist critiques of contemporary (Black) American religion and the problematics of difference, dominance and deliverance envisioned by Black literary art in Ishmael Reed's play, The Preacher and the Rapper and Octavia Butler's novels, Parable of the Sower and Pa...

Full description

Saved in:  
Bibliographic Details
Published in:Black theology
Main Author: McCormack, Michael Brandon (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Routledge, Taylor and Francis Group [2016]
In: Black theology
IxTheo Classification:CD Christianity and Culture
CH Christianity and Society
FD Contextual theology
KAJ Church history 1914-; recent history
KBQ North America
Further subjects:B Afrofuturism
B cultural productions
B Ishmael Reed
B Octavia Butler
B black preacher
B resignification
B black youth
B rapper
Online Access: Volltext (Verlag)
Description
Summary:This article explores Afrofuturist critiques of contemporary (Black) American religion and the problematics of difference, dominance and deliverance envisioned by Black literary art in Ishmael Reed's play, The Preacher and the Rapper and Octavia Butler's novels, Parable of the Sower and Parable of the Talents. Though Ishmael Reed and Octavia Butler deploy similar futuristic narrative strategies, they imagine radically different futures, present distinctive strategies of intervention, and imagine differing roles for Black religion in their respective futures. This article analyzes these futuristic theological themes in light of theorists of Afrofuturism, including Kodwo Eshun, literary critics such as Tuire Valkeakari, and contemporary black religious thinkers such as Monica A. Coleman, drawing out their respective insights and implications. Taken together, Reed's and Butler's Afrofuturistic critiques offer possibilities for imagining alternative, emancipatory forms of Black theological discourse and religious practice.
ISSN:1743-1670
Contains:Enthalten in: Black theology
Persistent identifiers:DOI: 10.1080/14769948.2015.1131503