When Jimmy Blew the Shofar: Midrash and Musical Invective in Superman's Pal Jimmy Olsen

Superman's Pal Jimmy Olsen (1954-74) captured the imagination of younger readers drawn to colourful images and preposterously inventive stories. As the 1960s progressed and the first of the baby boomers entered their teens, the formula became out of date. DC Comic's middle-aged writers str...

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Bibliographic Details
Published in:Journal of religion and popular culture
Main Author: Friedmann, Jonathan L. 1980- (Author)
Format: Electronic Article
Language:English
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Published: University of Saskatchewan [2016]
In: Journal of religion and popular culture
Standardized Subjects / Keyword chains:B Superman's pal, Jimmy Olsen / Midrash / Shofar / The Beatles (Music group) / Fan / Youth culture
IxTheo Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
BH Judaism
CD Christianity and Culture
Further subjects:B Hebrew Bible
B Superman
B Shofar
B Beatles
B Leo Dorfman
B Silver Age Comics
B youth culture
B DC Comics
B Jimmy Olsen
B Samson
Online Access: Volltext (Verlag)
Volltext (doi)
Description
Summary:Superman's Pal Jimmy Olsen (1954-74) captured the imagination of younger readers drawn to colourful images and preposterously inventive stories. As the 1960s progressed and the first of the baby boomers entered their teens, the formula became out of date. DC Comic's middle-aged writers struggled to keep pace with the emerging youth culture and usually wound up insulting their tastes and predilections. A prime example is “The Red-Headed Beatle of 1,000 B.C.!” (1964), which simultaneously taps into, and disparages Beatles fandom. However, beneath the insult is a midrashic-like telling of Samson's backstory and intriguing speculations about the uses of the shofar in the world of the Bible.
ISSN:1703-289X
Contains:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.28.1.3328