The Influence of the Romantic Genius in Early Christian Studies
This article proposes that critical scholarship of the New Testament has inherited from German Romantic and Idealistic thought a number of presumptions about the role of the author that have contributed to idiosyncratic approaches to these texts when compared with allied studies of ancient literatur...
| Κύριος συγγραφέας: | |
|---|---|
| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
[2015]
|
| Στο/Στη: |
Relegere
Έτος: 2015, Τόμος: 5, Τεύχος: 1, Σελίδες: 31-60 |
| Άλλες λέξεις-κλειδιά: | B
Authorship
B Early Christianity B Romanticism B Θρησκεία (μοτίβο) |
| Διαθέσιμο Online: |
Volltext (doi) Volltext (kostenfrei) |
| Σύνοψη: | This article proposes that critical scholarship of the New Testament has inherited from German Romantic and Idealistic thought a number of presumptions about the role of the author that have contributed to idiosyncratic approaches to these texts when compared with allied studies of ancient literature. Namely, ``critical'' scholarship has continued to impose anachronistic, Romantic ideas of an implicit Volk (people, nation) or inspirational Geist (spirit) onto early literature about Jesus. I offer an alternative reading of the authorship of the gospels that reads them like other ancient literature, centered on concrete evidence for ancient literary practices. |
|---|---|
| ISSN: | 1179-7231 |
| Περιλαμβάνει: | Enthalten in: Relegere
|
| Persistent identifiers: | DOI: 10.11157/rsrr5-1-647 |
