The Problem of Evil in DC Universe Animated Movies, 2007-2016: DC Multiverse, an Ironic Illustration of Leibniz’s Theodicy?

This article explores the question of evil and its metaphysical and moral implications in a series of animated movie adaptations of the DC Universe produced since 2006.The contemporary evolution of the medium, called the “Iron Age of comics”, has seen the auto-reflexive nature of comics produce prob...

Full description

Saved in:  
Bibliographic Details
Published in:Journal for religion, film and media
Main Author: El-Khoury, Toufic Ishaya (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Institut f. Fundamentaltheologie [2017]
In: Journal for religion, film and media
Standardized Subjects / Keyword chains:B DC Comics, Inc. / Animated cartoon / Paralleluniversum (Motif) / Evil / History 2007-2016
B Leibnitz, Friedrich 1597-1652 / Theodicy / Irony
IxTheo Classification:AB Philosophy of religion; criticism of religion; atheism
AG Religious life; material religion
CD Christianity and Culture
VB Hermeneutics; Philosophy
Further subjects:B animated movies
B Leibniz
B Theodicy
B problem of evil
B Cinema
B DC Comics
Online Access: Volltext (doi)
Volltext (kostenfrei)
Description
Summary:This article explores the question of evil and its metaphysical and moral implications in a series of animated movie adaptations of the DC Universe produced since 2006.The contemporary evolution of the medium, called the “Iron Age of comics”, has seen the auto-reflexive nature of comics produce problems and themes related to the main question discussed in Christian theodicy: how can we perceive and define the possibility of evil in a world where God’s omnipotence should have eliminated such a possibility? Moreover, why does evil seem to spread indefinitely in spite of all the efforts deployed by superheroes to stop evil? We will discuss the problem of evil as a natural narrative topic in light of comics’ mythological and religious roots and with a particular study case: DC Comics Multiverse as an illustration of Leibniz’s “best of all possible worlds” argument.
ISSN:2617-3697
Contains:Enthalten in: Journal for religion, film and media
Persistent identifiers:DOI: 10.25364/05.3:2017.1.4