The Eyes Have it: Film, Editing, and Postmodern Theological Hermeneutics
This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of look...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
2016
|
| In: |
The journal of religion and film
Year: 2016, Volume: 20, Issue: 2, Pages: 1-35 |
| Standardized Subjects / Keyword chains: | B
Bible
/ Hermeneutics
/ Theology
/ Film
/ Interpretation of
|
| IxTheo Classification: | FA Theology VB Hermeneutics; Philosophy ZG Media studies; Digital media; Communication studies |
| Further subjects: | B
Kevin Vanhoozer
B Lev Kuleshov B Film B Editing B Sergei Eisenstein B AKM Adam B Hermeneutics B Walter Murch |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of looking at the interpretive process as it relates to Scripture. This article traces the history of and approaches to cinematic editing in hopes that it might provide a significant interlocutor to the burgeoning field of hermeneutical studies. | ||
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