The Eyes Have it: Film, Editing, and Postmodern Theological Hermeneutics

This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of look...

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Bibliographic Details
Main Author: Hansen, James M. (Author)
Format: Electronic Article
Language:English
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Published: [publisher not identified] 2016
In: The journal of religion and film
Year: 2016, Volume: 20, Issue: 2, Pages: 1-35
Standardized Subjects / Keyword chains:B Bible / Hermeneutics / Theology / Film / Interpretation of
IxTheo Classification:FA Theology
VB Hermeneutics; Philosophy
ZG Media studies; Digital media; Communication studies
Further subjects:B Kevin Vanhoozer
B Lev Kuleshov
B Film
B Editing
B Sergei Eisenstein
B AKM Adam
B Hermeneutics
B Walter Murch
Online Access: Volltext (kostenfrei)
Description
Summary:This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of looking at the interpretive process as it relates to Scripture. This article traces the history of and approaches to cinematic editing in hopes that it might provide a significant interlocutor to the burgeoning field of hermeneutical studies.
ISSN:1092-1311
Contains:Enthalten in: The journal of religion and film