Music and Jesuits: Historiography, and a Global Perspective

Historian John W. O’Malley has recently outlined significant changes in the historiography of the Jesuits. These major shifts in Jesuit historiography in the early modern period have provided for more ample avenues of study vis-à-vis Jesuits and music. The last of O’Malley’s three ages of Jesuit his...

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Bibliographic Details
Main Author: Frank Kennedy, T. (Author)
Format: Electronic Article
Language:English
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Published: Brill 2016
In: Journal of Jesuit studies
Year: 2016, Volume: 3, Issue: 3, Pages: 365-376
IxTheo Classification:KAA Church history
KAG Church history 1500-1648; Reformation; humanism; Renaissance
KCA Monasticism; religious orders
KDB Roman Catholic Church
RD Hymnology
Further subjects:B Historiography Monumenta Historica Societatis Iesu fine arts music spirituality Counter-Reformation Eurocentrism Council of Trent – missions catechism
Online Access: Presumably Free Access
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Summary:Historian John W. O’Malley has recently outlined significant changes in the historiography of the Jesuits. These major shifts in Jesuit historiography in the early modern period have provided for more ample avenues of study vis-à-vis Jesuits and music. The last of O’Malley’s three ages of Jesuit historiography has had the most immediate effect: not only has it in itself encouraged the study of Jesuits and music, but also has broadened the cultural field enabling a number of different foci, previously beyond consideration. Recent studies, especially from the point of view of the expressions of popular piety, are producing insights into the identity of Jesuits from the perspectives or what they did. The significant corpus of music literature that musicologists are exploring and reflecting upon, promises both a fuller portrait of the Jesuits and their “way of proceeding,” and a richer understanding of the function of this music.
ISSN:2214-1332
Contains:In: Journal of Jesuit studies
Persistent identifiers:DOI: 10.1163/22141332-00303002