Music and Theological Method: A Lonerganian Approach
Music has for the most part been relatively absent from theological aesthetics, specifically in relation to theological method. The epistemological framework of Bernard Lonergan allows us to bring insights from music studies into dialogue with Lonergan’s writings on art, the aesthetic and artistic p...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage Publ.
[2016]
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| In: |
Theological studies
Year: 2016, Volume: 77, Issue: 3, Pages: 678-703 |
| Standardized Subjects / Keyword chains: | B
Lonergan, Bernard J. F. 1904-1984
/ Theology
/ Aesthetics
/ Musik
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| IxTheo Classification: | CD Christianity and Culture KAJ Church history 1914-; recent history KDB Roman Catholic Church |
| Online Access: |
Volltext (Verlag) Volltext (doi) |
| Summary: | Music has for the most part been relatively absent from theological aesthetics, specifically in relation to theological method. The epistemological framework of Bernard Lonergan allows us to bring insights from music studies into dialogue with Lonergan’s writings on art, the aesthetic and artistic patterns of experience, and music. The author makes a case for the integration of music—both listening to and making music—within theological method. |
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| ISSN: | 2169-1304 |
| Contains: | Enthalten in: Theological studies
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| Persistent identifiers: | DOI: 10.1177/0040563916652399 |