In retrospect: do we have to choose between art and research practice
How do artists experience and address beauty at present? Has the notion of beauty vanished completely from artistic discourse? Are ornaments still allowed? What does a contemporary ornament look like? In the exhibition Ornament & Beauty, mounted at Titanik Gallery (5-29 May 2016) in connection w...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
[publisher not identified]
[2016]
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| Στο/Στη: |
Approaching religion
Έτος: 2016, Τόμος: 6, Τεύχος: 2, Σελίδες: 164-185 |
| Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών: | B
Το Μοντέρνο (μοτίβο)
/ Τέχνη (μοτίβο)
/ Επιστήμη (μοτίβο)
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| Σημειογραφίες IxTheo: | ΑΑ Θρησκειολογία AG Θρησκευτική ζωή, Υλική θρησκεία |
| Διαθέσιμο Online: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Σύνοψη: | How do artists experience and address beauty at present? Has the notion of beauty vanished completely from artistic discourse? Are ornaments still allowed? What does a contemporary ornament look like? In the exhibition Ornament & Beauty, mounted at Titanik Gallery (5-29 May 2016) in connection with the conference Art Approaching Science and Religion, 12-13 May 2016, the artists intended to comment on questions such as those in the texts published here and through the art works presented. |
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| ISSN: | 1799-3121 |
| Περιλαμβάνει: | Enthalten in: Approaching religion
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| Persistent identifiers: | DOI: 10.30664/ar.67601 |