Opera through Varying Theological Lenses

Although a great deal of scholarly attention has been devoted to Richard Wagner and his renowned works since the nineteenth century, and considerable attention has been given to Christian interpretations of them from continental European perspectives, many theological perspectives on the man and his...

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書目詳細資料
主要作者: Hale, Frederick (Author)
格式: 電子 Article
語言:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
出版: 2015
In: Religion & theology
Year: 2015, 卷: 22, 發布: 3/4, Pages: 301-327
IxTheo Classification:CB Christian life; spirituality
CD Christianity and Culture
KAH Church history 1648-1913; modern history
KBB German language area
KBF British Isles
Further subjects:B Richard Wagner Parsival British Nonconformists Fabian Society spiritual regeneration
在線閱讀: Volltext (Publisher)
實物特徵
總結:Although a great deal of scholarly attention has been devoted to Richard Wagner and his renowned works since the nineteenth century, and considerable attention has been given to Christian interpretations of them from continental European perspectives, many theological perspectives on the man and his operas in the English-speaking world have remained unilluminated. The present article seeks to redress aspects of that neglect by examining how two theologically educated British Nonconformists, namely P.T. Forsyth and Ramsden Balmforth (the latter of whose ministerial career was in Cape Town from 1897 until 1937) understood Wagner’s opera about the Holy Grail, Parsifal. It is argued that Forsyth’s interpretation was informed in large measure by his evolving understanding of the meaning of the Atonement and redemption, while Balmforth’s was shaped to a considerable degree by his Fabian socialism.
實物描述:Online-Ressource
ISSN:1574-3012
Contains:In: Religion & theology
Persistent identifiers:DOI: 10.1163/15743012-02203008